2016: Top Ten of Everything!


Everyone else is doing it… if that’s not a good enough reason for me to do it too, then I don’t know what is. No, YOU’RE too impressionable. And so’s your mum.

In 2016 a massive bunch of cool things happened. Here’s ten of them! (In no particular order.)

Top 10… GOOD THINGS

  1. I had the privilege of beta reading the finished first drafts of two immensely talented friends: Kareem, and Sadir. (Thanks for making my own efforts feel so inadequate in contrast, guys…)
  2. I joined Marc Aplin & Jennie Ivins and the rest of the Fantasy-Faction team as a contributor!
  3. I released Danse Macabre in paperback on Amazon and Barnes & Noble!
  4. I’ve had the absolute pleasure of participating in the Self-Published Fantasy Blog-Off as part of the Fantasy-Faction judging panel!
  5. I’ve made a fuckton of new friends via social media, including readers, writers, and all-round beautiful weirdos. (You know who you are…)Dyrk Ashton inspirational quote
  6. I contributed two articles to Tor.com – and got paid to do so!My First Article for Tor.com
  7. I joined Reddit, and had an epic time as Writer of the Day on r/Fantasy!
  8. Danse Macabre picked up a lot of momentum, and now has 30+ reviews on Goodreads – including write-ups from the likes of T.O. Munro, G.R. Matthews, T.L. Greylock, Booknest.eu, Hobgoblin Reviews, Observant Raven Reviews, Dyrk Ashton, Richard Ford, J.P. Ashman, and Grimdark Alliance!
  9. I finally met Marc Turner, one of my favourite modern fantasy authors, in person – as well as Joe Abercrombie, Tom Lloyd, Elizabeth Bear and Scott Lynch!Bear-Lloyd-Hughes Subliminal Selfie
  10. I finished writing two short stories and several poems, and am finally back on track with writing my novel thanks to the encouragement of friends (not to mention the liver-shaving daredevil antics of that fellah Benedict Patrick, aka. Ben Paddy, aka. the Rogue with the Brogue).

A fuller rundown of my 2016 antics can be found here. But now…

Top Ten… BOOKS READ

Now, on to my top 10 reads of 2016! I briefly reviewed my reading year here, but here’s the Official Definitive Top Ten:

Top Ten… ARTICLES & REVIEWS

These were, according to WordPress, the ten most popular posts of the year:

10 – Janny Wurts & Raymond E. Feist, ‘Daughter of the Empire’ (review)
Daughter of the Empire cover image

9 – Mark Lawrence, ‘The Wheel of Osheim’ (review)mark-lawrence-wheel-of-osheim-cover

8 – 2016: The Worst of Times, the Best of Tomes

A Fist of Permutations in Lightning and Wildflowers by Alyssa Wong

7 – Steven Erikson, ‘Gardens of the Moon’ (review)steven-erikson-gardens-of-the-moon-cover

6 – T. Frohock, ‘Los Nefilim’ (review)t-frohock-los-nefilim-cover

5 – Review: Jeff Salyards, ‘Veil of the Deserters’veil-salyards-bloodsounder

4 – Daniel Abraham, ‘The Dagger and the Coin’ (series review)The Dagger & the Coin Quintet by Daniel Abraham

3 – Self-published authors and the SPFBO: revitalising SFF
Ragnarok Covers: The Amra Thetys series by Michael McClung

2 – Steven Erikson, ‘The Bonehunters’ (review)

'The Bonehunters' by Steven Erikson

And the most popular by far:

1 – A Beginner’s Guide to Malazan Characters: ‘Gardens of the Moon’

'Silanah vs Raest': artwork by Shadaan

‘Silanah vs Raest’: artwork by Shadaan

For what it’s worth, my personal favourites are the Self-Publishing/SPFBO article, the Los Nefilim review, and of course my interview with epic fantasy author John Gwynne (as well as my article about why his books are awesome).

Now for the final Top 10 list…

Top Ten… WANT TO READ IN 2017

In addition to the gorgeous-looking titles on my backlist, here’s a few upcoming releases I’m looking forward to:

And there it is! 2016 has been miserable in many ways, but in terms of reading it’s been ace. Bring on more of the same in 2017!

Happy new year!

2016: The Worst of Times, the Best of Tomes


Ah, 2016. For various reasons, I’ve read nowhere near the amount of books I wanted to this year. But the ones I have read were pretty damn awesome. Here’s a few of the awesomest (note: not all of these were actually published in 2016!).

2016 shall henceforth become known as The Year in Which I Truly Discovered Self-Published Books. The abundance of awesomeness from the SPFBO (Self-Published Fantasy Blog-Off) – as well as a few other gems – has left me seriously impressed with those who publish via this method.

(I spoke about self-publishing, and the many positive ways in which indie authors contribute to the genre, here.)

I’m pleased to say that I discovered – and read! – an entirely new trilogy in the form of Jeff Salyards’ Bloodsounder’s Arc. Here’s what I said about book three, Chains of the Heretic:

Bloodsounder’s Arc is a work of art, a dark and masterful tapestry of tension and momentum wherein each word weaves a more deftly spun strand than the last. The final triptych, Chains of the Heretic, is Salyards’ pièce de résistance, falling naturally but devastatingly into its place as the boldest and most brutal piece of the saga.

2016 has been a shite year for politics, pop-culture legends, and the general future of humanity. However, you can’t deny that it’s given us some excellent sequels.

2016 has seen the conclusions to several of my favourite series, including The Dagger and the Coin by Daniel Abraham, The Faithful and the Fallen by John Gwynne and The Red Queen’s War by Mark Lawrence.

We’ve also been gifted with the fun finale to Joe Abercrombie’s Shattered Sea trilogy, as well as two more instalments in Marc Turner’s spectacular six-book Chronicles of the Exile(Check out my post about meeting Marc here!)

I’ve also had the pleasure of starting one or two ongoing series by new (to me) authors Michael R. Fletcher, V.E. Schwab and Ruth Nestvold.

A few forays into the realm of shorter fiction have also yielded very pleasant results. Alyssa Wong’s very (very!) short but beautiful A Fist of Permutations in Lightning and Wildflowers left me keen to read more by this author; while the talent and variety on display in the Fantasy-Faction Anthology made me bubble with pride at being able to call myself a part of that community.Los Nefilim by T. Frohock... read by Kili-cat in 2016

And of course, one of my favourite reads of the year: Los Nefilima trilogy of novellas by the wonderful and talented Teresa Frohock, brought together for the first time in a single, brilliant collection.

Finally, the year wouldn’t be complete without revisiting at least one old favourite… or, in this case, two: The Bonehunters by Steven Erikson, and Terry Pratchett’s charming, witty and hilarious Hogfather.

What were your favourite books of 2016? And which ones are you most looking forward to next year?

Teresa Frohock, ‘Miserere’


Miserere is a strange one. The premise is interesting: in addition to Heaven, Hell and Earth, Frohock’s universe also a fictional dimension called Woerld, which acts as a sort of barrier between Hell and Earth. In Woerld, all of Earth’s established religions work together in harmony to prevent the rise of the Fallen, and Templar-esque holy warriors known as Katharoi help in the ongoing fight against evil.

Miserere by Teresa Frohock (cover image)Woerld exists outside of space and time: Miserere is set on Woerld in the year 5873, when a portal opens up and Lindsay,(a girl from present-day America) is dragged through into Woerld. In fact, this is how many of the Katharoi are brought into being: worthy individuals, always children, are chosen to make the one-way trip to Woerld to become Katharoi, leaving their own lives behind forever.

Lindsay is to be the ‘Foundling’ (Padawan) of Lucian, one of the main protagonists, and a large part of Miserere is centred around their relationship. Interestingly, rather than write the story from Lindsay’s point of view in the manner of so many other ‘fish out of water’ or ‘farmboy’ tales, Frohock more or less chooses to maintain the adult PoVs throughout. I think this was the right decision, as it still gives opportunity for explaining the world to someone who is unfamiliar, but it’s less patronising since we’re sharing the PoV of the person who knows rather than the person who is ignorant. A lot of the things Lindsay is forced to witness and experience are fairly dark and unpleasant, and as such the chapters from the child’s PoV can be a little jarring and uncomfortable – which is most likely the author’s intended effect.

The novel features some pretty heavy genre bending, and as such it’s a bit disorienting at first – especially when the author casually tosses around references to the world we live in (such as the way mobile phones can be used on Woerld for a short time before being corrupted by demons and used as Hell portals). Miserere combines elements of urban and traditional fantasy, as well as SF; the presence of holy warriors and Inquisitors give it the feel of historical fiction, while the setting implies that it’s actually a dystopian novel; and the sheer amount of religious imagery (not to mention to plot and the setting) give it a distinctly biblical feel.

I’m in no way religious, and so I imagine there’s a huge amount of religious nuance that was completely lost on me. I’m also unsure of how much of the imagery in the story is taken from the bible and how much has sprung from the author’s imagination, but whichever it is, the vivid imagery is one of the novel’s strongest points. The Sacra Rosa, a rose bush that circles an entire city and wreaks Triffid-style destruction on the Fallen, was one of my favourite images. I also particularly enjoyed the brief flashes we’re given of the Hellscape, and the Simulacrum is also a pretty creepy image. The author skilfully draws on religions and legends from all over the world and brings them all together, and I recognised enough for it to give the book a sense of real authenticity.

One thing that did disappoint me was the ending, which was far less climactic than I expected. A large proportion of the book felt like it was setting up the ‘good vs evil’ battle implied in the blurb: but there are long sections where not much actually happens, and the payoff for going through this wasn’t all that that rewarding. I did get the sense (I hope) that there will be another book about Catarina’s retribution, so perhaps that will have the epic conclusion I was expecting from this one.

Regardless of the book’s flat moments and slightly weak ending, the characters were strong enough to keep me interested throughout. Rachael in particular is an awesome character: she is a holy warrior and a Judge who was abandoned in Hell by the man she loved, and returned possessed by a Wyrm. She’s a strong, believable character who has her own important role in the story, rather than just functioning as the ‘main’ character’s love interest.

Although the blurb of Miserere makes it sound like a love story in a fantasy setting, it’s far from conventional. I was very unsure when I first began to read it – and it probably didn’t help that I read it in fits and starts over the course of a week – but it grew on me a lot, and once I reached the end I was very keen to read more by this author.


This review originally appeared on halfstrungharp.com on 9th September 2014.

Grimdark Magazine’s ‘Evil’ Kickstarter – LAST DAY


Anyone wanting to jump on the back of Grimdark Magazine‘s anthology Kickstarter has less than 28 hours to do so.

Evil is a Matter of Perspective: An Anthology of Antagonists on Kickstarter

Started up by the founder of GDM, Adrian Collins, this Kickstarter is a kick-ass collaboration of fantasy readers and writers. The anthology, titled ‘Evil is a Matter of Perspective, will be packed with short stories by some of the genre’s most popular and talented modern authors. Each tale will feature an antagonist from the author’s existing work.

Featuring the likes of JEFF SALYARDS, T. FROHOCK, COURTNEY SCHAFER, MARC TURNER, JANNY WURTS, ADRIAN TCHAIKOVSKY and R. SCOTT BAKKER, ‘Evil is a Matter of Perspective’ is a truly exciting project well worth investing in.

Here’s the link one more time. The clock is ticking, grimdarkians . . .

T. Frohock, ‘Los Nefilim’ (review)


RIGHT NOW is a phenomenal time to be a fan of speculative fiction. Seriously: there’s an insane amount of amazing SFF writers in today’s market, and the modern fantasy reader is spoilt for choice with a selection that would leave Mr. Norrell gobsmacked and which would – if it were all edible – satisfy even Dudley ‘Big D’ Dursley.
t-frohock-los-nefilim-cover

But it’s sadly inevitable (inedible, too – sorry Dudders) that for every Mark Lawrence or Robin Hobb there are a thousand other writers striving to make a name for themselves – lots of whom are probably just as talented, and some perhaps even more so. In the struggle against obscurity, this means that many equally-deserving authors are overlooked by those caught in the gravitational field of the ‘big names.’ And while I’m in no way saying that those successful few are unfairly hogging the spotlight, I am suggesting that sampling the work of lesser-known writers may prove to be less of a gamble than you might think.

Frohock is by no means a newbie to the writing game: her debut novel, Miserere, was published by Night Shade back in 2011 and garnered a relatively small but loyal following. However, Miserere was (erroneously) marketed as religious and YA fiction, neither of which accurately reflect the novel’s content or target audience. Religion features heavily in the story, but it certainly isn’t a ‘religious’ novel: Frohock wasn’t writing from a religious perspective so much as borrowing imagery from lots of existing religions in order to create a vivid and fantastical setting for her dark (and sometimes brutal) tale.

t-frohock-miserere-cover

Miserere is a surreal and enjoyable read that unfortunately still remains in the shadows of obscurity. Since its release Frohock has continued to weave dark fantasy into real-life religion and history. Her three most recent novellas – In Midnight’s Silence, Without Light or Guide, and The Second Death – have just been published together as Los Nefilim. This wonderful collection is a joy to read: each novella flows seamlessly into the next to form a well-rounded and well-plotted story in three beautifully-titled parts.

A superbly dark and atmospheric fantasy set in 1930s Barcelona, Los Nefilim is a captivating tale of eternal conflict between angels and demons. First off, let me clarify that even though it’s set in pre-WW2 Spain I hesitate in calling Los Nefilim ‘historical fantasy’. The reason for this is that although the historical context has some relevance to the events, and although the settings are consistently vivid and immersive, I feel as though the story itself transcends both time and place: Frohock weaves her tale with admirable finesse using the colourful and tightly-knit threads of her protagonists, who – despite being vividly drawn – are so sympathetic it’s possible to imagine their situation happening anywhere, any time, and to anyone.

t-frohock-midnights-silence-coverLos Nefilim is centred around the character Diago, a troubled but immensely likeable Nephilim of mixed angelic and daimonic descent. Diago and his partner, Miquel, have been devoted to one another for centuries, but both their loyalty and livelihood are threatened when the escalating supernatural war invades their personal lives. Diago and Miquel’s relationship defines – and is defined by – events, and is inseparable from the story itself. Frohock succeeds in pulling the reader deep into Diago’s world: a realm of harsh decisions, few of which can be made without endangering either his lover or his cause.

The best part is that the author doesn’t bash us over the head with the internal ‘true-love-vs.-greater-good’ conflict. Los Nefilim are the very embodiment of human nature in all its shades of grey; and nothing is ever so simple as ‘good vs. evil,’ even when angels are involved.

Especially when angels are involved.

Just as well, then, that the heroes of Los Nefilim are deep, fully-rounded characters who are far too complex to be defined simply by which master they serve; or, for that matter, by their sexuality. Issues of gender are neither downplayed nor dwelt on, and the fact that Diago and Miquel are both men is but a natural part of the story.

(In fact, the author’s egalitarian approach to gender holds up a mirror to our own lives in the least patronising way possible. Simply put, Frohock shows us a society where men are just as vulnerable as women, and often suffer in silence because of unequal and arbitrary gender expectations. She shows us a society in which men are just as likely as women to experience rape, and verbal abuse, and sexual harassment – a fact we all need to recognise and empathise with.)

Frohock - LN2

On the surface, Los Nefilim could also be regarded as a moral tale about overcoming intolerance: the Nephilim’s secret war does indeed serve as a clever analogy for how homosexuality was stifled beneath the stigma of a god-fearing society. But while this is without doubt a huge part of the story, in my opinion it’s actually far subtler than that. Great speechifiers and glorious martyrs our protagonists ain’t: they are heroes of necessity, not intent. And Frohock doesn’t idealise Diago and Miquel’s relationship so much as naturalise it. Their connection is shown through understated dialogue and non-verbal interactions, and by the gradual emergence of both men’s paternal instincts as they work hard to create a harmonious family unit for Diago’s son.

For me this was a huge relief. In the past I’ve pointed out more than a few female writers who draw on shallow stereotypes of sexual promiscuity and unequal partnerships in an attempt to portray same-sex male couples. Thankfully, Frohock avoids this entirely: she doesn’t ‘write gay characters’; she writes characters who happen to be gay. Contrary to stereotypical beliefs – and exactly like couples of any orientation – Miquel and Diago don’t hump like rabbits, nor are they joined at the hip. And their relationship might be the pivot on which the events of Los Nefilim turn . . . but no one can accuse the story of being ‘too romantic’.

t-frohock-second-death-cover

Frohock writes with precision and balance, and the result is a faultless blend of beauty and brutality, cruelty and love, action and reaction forming a story that is pleasantly complex and satisfying. She lets us hear colours and see music. Her prose is wonderfully lyrical, yet functional. Unlike yours truly, Frohock isn’t one to waffle: she uses the minimum amount of words to say what she needs to say in the most beautiful way possible.

Bear with me. I’m going to try and explain better using an overcomplicated and probably inappropriate metaphor.

Imagine that books are like . . . banquets. No, really: the table is the plot, the tablecloths the setting, the food the story and the centrepiece the characters. Or something.

We’ve all read good books. And we can all imagine a good banquet. Right? Good food, good company, good evening.

t-frohock-los-nefilim-cover

Now imagine the most unique and exquisite banquet you can think of; one with impossibly rich and varied dishes, and with sentient centrepieces that predict the future but only sometimes tell the truth; a banquet where the wine tastes like hope and the sausage rolls smell like betrayal and the ambient hum of conversation sounds like an argument and a marriage proposal and a promise of violence and thunder, and where everything is made more real by the dark riveting rainbow-coloured music of Frohock’s prose.

Dammit. Now I’m hungry. And also a little bit confused.

Basically, what I’m trying to say is that T. Frohock is a damn fine writer who uses damn fine prose to tell a damn fine story.

Go and check out her stuff. Right now.


T. Frohock has turned a love of dark fantasy and horror into tales of deliciously creepy fiction. She lives in North Carolina, where she has long been accused of telling stories, which is a southern colloquialism for lying.

You’ll frequently find her lurking on Facebook and Twitter, as well as on her official website.


Blurb

Collected together for the first time, T. Frohock’s three novellas—In Midnight’s Silence, Without Light or Guide, and The Second Death—brings to life the world of Los Nefilim, Spanish Nephilim that possess the power to harness music and light in the supernatural war between the angels and daimons. In 1931, Los Nefilim’s existence is shaken by the preternatural forces commanding them … and a half-breed caught in-between.

Diago Alvarez, a singular being of daimonic and angelic descent, is pulled into the ranks of Los Nefilim in order to protect his newly-found son. As an angelic war brews in the numinous realms, and Spain marches closer to civil war, the destiny of two worlds hangs on Diago’s actions. Yet it is the combined fates of his lover, Miquel, and his young son, Rafael, that weighs most heavily on his soul.

Lyrical and magical, Los Nefilim explores whether moving towards the light is necessarily the right move, and what it means to live amongst the shadows.