COVER REVEAL! ‘Dragon’s Blade: Veiled Intentions’ by Michael R. Miller


In true Lancashire style, I’m ‘reet chuffed to be part of the cover reveal for Michael R. Miller’s second novel, Dragon’s Blade: Veiled Intentions.

But first, a quick introduction:

Michael R. Miller is an indie author (and all-round decent bloke) from the UK. His debut novel, The Dragon’s Blade: The Reborn King, narrowly missed out on making the final ten in Mark Lawrence’s Self-Published Fantasy Blog-Off (SPFBO) 2016.

However, Miller’s book did win the ‘Best Cover’ award during the same competition – fending off no less than 299 competitors for the top spot!

Dragon's Blade: The Reborn King by Michael R. Miller

Miller impressed us all and demonstrated extreme pride in his own work by putting out such a visually stunning product. The time, money and effort that has clearly gone into his covers continues to show off a level of professionalism that self-published books can (and should) strive to achieve.

Without further ado, here’s the gorgeous, shiny new cover for the upcoming sequel!

Dragon's Blade: Veiled Intentions by Michael R Miller

How gorgeous are those colours? I could stare at this all day long. Simple, bold and colourful, yet with a delicate touch that puts me in mind of the peacock shades of Tiffany glass art.

Both Dragon’s Blade covers are designed by the phenomenally talented Rachel Lawston.

Dragon's Blade: The Reborn King by Michael R. MillerDragon's Blade: Veiled Intentions by Michael R Miller

Here’s the Dragon’s Blade: Veiled Intentions blurb:

Rectar has always had his sights set on conquering the human lands. His demonic invasion of the west is gaining momentum – an unrelenting horde unhindered by food or sleep. Now, only the undermanned Splintering Isles lie between the demons and the human kingdom of Brevia. If the islands fall, the rest of Tenalp will soon follow.

“The Three Races must work together if they are to survive, but they have another problem – Castallan. The traitorous wizard has raised a deadly rebellion and declared himself King of Humans. He believes himself safe in the bowels of his impenetrable Bastion fortress, but Darnuir, now King of Dragons, intends to break those walls at all cost.

“To face these threats, all dragons, humans and fairies must truly unite; yet old prejudices may undermine Darnuir’s efforts once again. And as the true intentions of all are revealed, so too is a secret that may change the entire world.”

The book is set for release on February 10th 2017. You can pre-order it here.

In the meantime, you can grab book one for just £1 when you sign up to the author’s mailing list!

Michael R. Miller

Michael R. Miller is a young Scot living in London and getting stuck into writing his first epic fantasy series, The Dragon’s Blade. Book 1, The Reborn King, made the top 20 books in Mark Lawrence’s Self-Published Fantasy Blog Off 2016. The second in the trilogy, Veiled Intentions, releases February 10th 2017.  Michael is ‘that guy’ who enjoys discussing the mad fan theories of Game of Thrones even more than the books or show, and knows more about World of Warcraft than is probably healthy. 

Self-published authors & the SPFBO: revitalising SFF


Note: For an updated version of this article, visit Fantasy-Faction.


Self-published authors get a lot of flak.

Even armed with a bargepole, many readers won’t touch them. These readers will assure you that indie books are unprofessional; that they’re inherently inferior and therefore not ‘proper’ books.

Yarnsworld #1 and #2 by Benedict Patrick

… and yet some self-published authors produce work that’s MORE professional-looking than the stuff you find in bookstores! (Image: the Yarnsworld series by Benedict Patrick)

Admittedly, it’s not too hard to find examples of substandard writing amongst the masses and masses of self-published works. Perhaps readers have simply had their fill of lazy prose and sloppy formatting and are wary of encountering more.

Or maybe it’s not the books that are the problem. We’ve all come across the ubiquitous indie author who takes the ‘stuck record’ approach to self-promotion. You know the one, whose constant passive-aggressive ‘BUY MY BOOK’ posts soon become so irritating that we have no choice but to issue the offending author with a cease-and-desist before gouging out our own eyes and/or unfollowing them on social media.

Whatever the reason, indie books – particularly within SFF – have garnered a reputation for being second-rate, amateur and inconsistent . . . a reputation which is (for the most part) unfair and undeserved.

‘Success stories’

Is there anyone who hasn’t heard of Michael J. Sullivan? Or Anthony Ryan? Both authors’ hugely popular fantasy debuts – The Crown Conspiracy and Blood Song, respectively – began life as (you guessed it!) self-published novels. Now, they’re practically household names.

Ryan, Sullivan

Anthony Ryan and Michael J. Sullivan both began as self-published authors before finding mainstream success

Inspiring, without a doubt. But in terms of popular opinion, such accomplishments have done surprisingly little to change attitudes towards indie authors. Using Ryan or Sullivan as the benchmark for measuring ‘success’ suggests that the singular goal of self-publishing is to become one of the ‘lucky few’ who eventually get picked up by traditional houses; in other words, it reinforces the idea that self-publishing is merely the means to an end.

But do all indie authors want the same thing?

300 authors, 10 blogs, 1 winner:

the great Self-Published Fantasy Blog-Off

(SPFBO)

While every author is unique, many share similar goals. Most prominent amongst these is the desire to be noticed.

SPFBO2 Banner by Matt Howerter

design by Matt Howerter

In February 2015, author Mark Lawrence (The Broken Empire, The Red Queen’s War) took to his blog to ponder the problem of self-promotion, observing that:

“…as a new author, particularly a self-published one, it is desperately hard to be heard. It’s a signal-to-noise problem. Who knows how many Name of the Winds or [fill in your favourite] are lost to us because they just couldn’t be seen? None? A hundred?”

He was right; moreover, plenty of voices agreed with him, and before long well-respected bloggers were clamouring to help him find a frequency on which some of the more deserving voices could finally be heard.

273 writers responded to the call for self-published authors. That’s 273 writers who submitted manuscripts to the contest. These were promptly split between ten participating bloggers, who spent the next six months wading through their ‘slush pile’ in the manner of a literary agent. Samples that failed to shine were soon cast aside, and eventually each blog was left with only one.

The SPFBO Final Ten (2015)

#SPFBO 2015: the final ten

Round Two kicked off as soon as the final ten were announced. Each blogger proceeded to read and review all finalists in full, eventually assigning each novel a rating out of 10. As you might already have guessed, the entry with the highest score at the end was declared the winner.

And the grand prize? Well, as Mark Lawrence announced at the start:

“There’s no other prize. The winner will get the publicity of being the winner, plus the bonus of being reviewed on the blogs of 10 highly respected fantasy bloggers.

“Frankly you can’t buy better publicity than that.”

The end of the beginning

Voila! The first step towards changing attitudes was complete. While the inaugural SPFBO didn’t exactly break down the barrier between indies and their potential readers, there’s no denying that it was a step in the right direction. The process gave a leg-up over the barrier for a handful of hidden gems, making them more visible while also filtering out less polished books.

In the end, 273 books were whittled down to one winner, and the title went to The Thief Who Pulled on Trouble’s Braids. The author, Michael McClung, landed a publishing deal with Ragnarok along the way, and is now preparing for ‘Rok’s impending release of the fourth Amra Thetys book, The Thief Who Wasn’t There.

In an example of a different kind of success, close runner-up Ben Galley has since continued to advance a professional and prolific self-publishing career that began over seven years ago. Galley not only provides ‘Shelf Help’ sessions for aspiring indies, but also spends an inexhaustible amount of time writing fiction, promoting his work and building momentum for the release of his eighth novel,  The Heart of Stone.

The Heart of Stone by Ben GalleyBloodrush by Ben GalleyThe Written by Ben Galley

SPFBO 2: 2016

Confession time: I had very little personal interest in the SPFBO when it began. I admired the concept and the mind behind it, of course, but initially dismissed the contest itself as a publicity ploy. Here, I thought, was a token gesture of indulgence, the same sort that spurs celebrities to adopt baby gorillas.

You know what? I’m ashamed of my former cynicism snobbery (let’s call it what it is, folks); and I couldn’t have been more wrong.

In March this year the process began again. This time around, my own involvement as part of Fantasy-Faction’s judging team has changed my perspective even more. The positivity, enthusiasm and professionalism of the entrants in our group swiftly banished any lingering reservations I may have had, as did the overall quality of the entries submitted.

In fact, several bloggers were so impressed by their batch of books that Lawrence hosted a cover contest during the early stages of the competition.

SPFBO Cover Contest 2016

Looks aren’t everything; but they do speak volumes about the amount of pride an indie author has in his or her own work. Though we know it’s shallow, most of us do judge a book by its cover. When our first glance shows us an attractive design and professional layout it makes the world of difference.

The Dragon's Blade by Michael R Miller

Sure, it’s what’s inside that really counts . . . but let’s face it, nobody would voluntarily show up for a job interview without first combing their hair and stepping into something smart. First impressions are crucial.

But even if you do everything right, what happens when somebody else shows up? Somebody who’s also done everything right?

On Ascension

Back in July, Jared at Pornokitsch was torn between two books for his finalist. He spoke so highly of both that Mark Lawrence himself was inspired to read the eventual runner-up, and was so impressed by the book that he now goes out of his way to make sure others recognise the author’s talent.Senlin Ascends by Josiah Bancroft

The author in question is Josiah Bancroft. The book is Senlin Ascends. Chances are that many of you have already heard of it; earlier this year, The Wertzone described Senlin Ascends as “SFF’s first genuinely evocative work of self-published literature” and suggested that it “may mark a serious turning-point in the field.” Lawrence’s baby gorilla has grown swiftly indeed, and now ascends the tower a la King Kong in New York. Bring on the bi-planes!

Though none have become quite as well-known as Mr. Bancroft (yet!) there are a host of other SPFBO entrants now fighting for pre-eminence on many a reading list. Authors such as Ruth Nestvold, Benedict Patrick, Daniel Potter, L. Penelope, Michael R. Miller, David Benem, Moses Siregar III, Blair MacGregor, Rob J. Hayes, T.A. Miles, Timandra Whitecastle, Tyler Sehn, Amy Rose Davis . . . talented folks one and all, who might not have reached the final but have earned a place on the SFF community’s radar nonetheless.

If these guys are so good (you might be wondering) then why are they self-published at all?

‘Can’t get published’

Just last month, a thread about this topic sparked a host of detailed and thoughtful responses from readers on r/Fantasy. The main issue of debate was around the barriers faced by indie authors, with most commenters agreeing that quality and discoverability are two major ones. Some suggested that the ‘good’ self-published books stand out by virtue of the author having invested in professional cover design, formatting and editing. But others argued that there are too many poor-quality products for sale on the internet to even bother looking. Why, they asked, should readers waste their time sifting for talent amongst those who ‘couldn’t even get published’?

Put it this way: if an author is struggling to find a publisher, does that mean their work is crap?

A lot of people will say ‘yes!’ (and in many cases, they’re probably right). Realistically, though, traditional publishing houses turn down manuscripts for all sorts of reasons. We’ve all heard how books like Carrie, Harry Potter, Dune, Dubliners, and even The Diary of Anne Frank received multiple rejections before finally finding success. Examples like these – along with Blood Song et al. – are proof that what G.R. Matthews refers to as the ‘snob factor’ is, in many cases, unjustified.

The Stone Road by G.R. Matthews Black Cross by J.P. Ashman Lady of the Helm by T.O. Munro

Clearly, not all books that ‘can’t get published’ are objectively inferior. But here’s what some folks are still struggling to understand: ‘going indie’ is more and more frequently becoming a first choice rather than a last resort.

‘Going indie’

Believe it or not, plenty of writers balk at the thought of handing over their intellectual property to someone else.

Michael McClung (winner of the inaugural SPFBO) spoke recently about the drawbacks of switching from indie to traditional, and observed that the benefit of reaching a wider audience can come at the cost of frustrating and unforeseen delays. Traditional publishing, he says, can be incredibly stressful for an author who is not prepared to cede control over the entire process to somebody else.Ragnarok Covers: The Amra Thetys series by Michael McClung

Perhaps this is why so many authors cite a determination to retain control over one’s own work (and agenda) as a motivation for choosing self-publishing. For some this is a purely artistic choice; for others, it comes down to practicality or expedience. Regardless of merit, every author’s reasons are unique, be it J.P. Ashman’s commitment to producing a full-length epic or T.O. Munro’s freedom to set his own deadlines in keeping with a busy day job.

Then there are the ‘hybrids’. Some authors travel both paths at various times to suit their changing needs. An example of this might be an author whose novels are trad-pubbed, but whose short stories require a different platform or be lost to obscurity. Or perhaps someone whose books have been trad-pubbed in some countries but not in others.

The Mirror's Truth by Michael R. FletcherAnd this approach supports authors who, for whatever reason, have been let down by traditional publishing. Michael R. Fletcher’s first Manifest Delusions novel, Beyond Redemption, was bought and published by Harper Voyager in 2015. The book was a critical success, but a commercial disappointment. When HV declined to publish the sequel, The Mirror’s Truth, Fletcher decided to switch to indie. Likewise, author Joel Minty is going to great lengths to prepare himself for self-publishing after falling victim to the collapse of Realmwalker Publishing Group – just days before his debut, Purge of Ashes, was set to be released.

Like so many others, these authors turned to self-publishing out of necessity; a necessity born of the determination to deliver to their readers what they promised.

The ‘Great Divide’

But readers shouldn’t presume that every self-published author has already tried – or even desired – to be traditionally published. Just like everything else in life, the pros and cons of each approach are entirely subjective depending on the author’s individual goals and definitions of ‘success’.

Moreover, the reflexive dichotomy of traditional ‘versus’ self is both divisive and demeaning. To borrow the words of author Blair MacGregor:

“Dichotomy is easy.  But conversation isn’t all that challenging, either.  The longer we permit “versus” to dominate, the greater the disservice we do to talented writers.”

MacGregor goes on to suggest that people seem less interested in talking about self-publishing than they are in debating its worth.

MacGregor’s contemporaries have also drawn attention to this issue: Timandra Whitecastle – whose grimdark debut Touch of Iron aims to redefine ‘strong’ female characters – recently expressed similar views about the frustrations caused by those who insist upon such a divide. When making the decision about which approach to take, says Whitecastle, she found little value in objectively comparing the two, and focused instead on which methods would best facilitate her creative desire to “break the mold.”

The Blood-Tainted Winter by T.L. GreylockSword and Chant by Blair MacGregorA Touch of Iron by Timandra Whitecastle

Dismiss the dichotomy;

break the mold

This is where the Self-Published Fantasy Blog-Off comes in. The SPFBO breaks down these barriers by encouraging readers to treat self-published books just like they would any other kind.

Book looks interesting? Check it out.

Like the sample? Buy the book.

Enjoy the book? Tell your mates; leave a review. After all, the SPFBO aims to recognise and reward talented, hardworking authors with honest feedback and well-deserved exposure. As I mentioned earlier, the greatest prize on offer here is increased discoverability . . . a prize which thousands of less-known writers covet dearly.

SPFBO2 (Banner design by James Cormier)

design by James Cormier

A great many of this year’s entries fell at the very first hurdle, cast aside after just a few pages. But after six months of indecision, the participating blogs have selected their finalists, and round two has begun! And here’s the most exciting part: in a contest largely hinging on judges’ personal tastes, it’s anyone’s game.

Standards continue to rise as more and more authors set their sights on the SPFBO. Indie authors are working harder and longer, pushing themselves to the absolute limits of capability, and it is they – along with those who follow, support and promote initiatives like the SPFBO – who help keep this genre fresh and dynamic. Everybody wins!

Finally, any indie authors still choosing to operate under a half-arsed mentality of, ‘eh, I’ll just publish it through Amazon’, will inevitably get pushed to the bottom of the pile as those who are serious about making things work will continue to hike to the top – egged on by readers, peers and other like-minded artists within this incredibly supportive community.

If you’re following the SPFBO final then let us know about any entries that have caught your fancy! Join in on social media and weigh in with your own opinions using the hashtag #SPFBO.

Oh! And check out this year’s final ten:

SPFBO 2016: the Final Ten!

SPFBO 2016: the Final Ten!


NaNovember!


October has been ever so slightly crazy. I spent countless hours working on a short story in order to meet a submission deadline (which I did manage in the end – barely!). My ‘currently reading’ list is longer than ever before. NaNo is upon us. And the SPFBO has reached stage two!

SPFBO – Final 10!

We have our finalist!!!
Fantasy-Faction's SPFBO2 Finalist: Dyrk Ashton, Paternus

That’s right: earlier last month G.R. Matthews, A.F.E. Smith and myself announced Dyrk Ashton as our pick for Fantasy-Faction’s SPFBO finalist. Dyrk’s novel, Paternus, is a well-written and exciting tale of myths and monsters in modern-day society. We gave it a collective score of 9/10, and are proud to say that it 100% deserves its place amongst the final ten.

Speaking of which… here they are!

SPFBO 2016: the Final Ten!

Gorgeous-looking bunch, aren’t they? I’ve already begun reading Larcout, and I’m also particularly excited about Path of Flames, Assassin’s ChargeFionn and of course The Grey Bastards.

Not that I don’t have enough to read and review already… like:

Nothing is Ever Simple (Corin Hayes #2) by G.R. Matthews

Corin Hayes #1 and #2 by G.R. Matthews

A couple of days ago, my fellow indie writer (and Fantasy-Factioner!) G.R. Matthews released the long-awaited second book in his underwater SF series Corin Hayes. Here’s what I said about book one, Silent City:

Reader beware: if you suffer from thalassophobia (= fear of the sea), prepare to be chilled to the bone. . . because the world of Corin Hayes is entirely underwater.
[…] Short, entertaining and exciting: Silent City is the start of a series I’ll certainly be following with interest.

Read the full review on Goodreads or Amazon.

Beyond Redemption by Michael R. Fletcher

A bloody, uncomfortable, fascinating read. The first in Michael R. Fletcher’s Manifest Delusions series, Beyond Redemption pulls us into a world where anything is possible . . . so long as you’re insane. Dark, brutal and highly recommended.

Beyond Redemption by Michael R. FletcherYou can read my review on Fantasy-Faction. The sequel, The Mirror’s Truth, is due out in December.

Sabriel by Garth Nix

Back in my late teens I read, re-read and re-re-read Garth Nix’s Old Kingdom trilogy (Sabriel, Lirael and Abhorsen) more times than I could count. The recent release of Goldenhand unleashed a flood of nostalgia, so much so that I couldn’t resist revisiting the series.

Sabriel by Garth Nix

Absence makes the heart grow fonder, and after a decade away from the series I’m thoroughly enjoying dipping in and out of this one. Sabriel sparked fond memories of late-night reading right from page 1, and I’m looking forward to reaching book two, Lirael, which was always my favourite of the three.

On Writing by Stephen King

This is another book I’ve been dipping in and out of. As such, progress is slow, but I’m picking up snippets of wisdom every time I sit down to read a few pages.

On Writing by Stephen King

Anyone who knows me is aware of my love of metaphors (or, as some would say, ‘overthinking’). In one chapter, King compares writing to archaeology: the story is always there, like a fossil beneath the ground, and writers should use whatever tools necessary to bring it to light. He goes on to say that you wouldn’t start digging with a toothpick; you’d begin with a pickaxe or even a jackhammer, only bringing out the delicate tools when you’re ready to reveal the details.

For someone like me (whose writing process generally involves obsessive plotting, second-guessing and re-writing) this is very relevant . . . as is the part where King opines that plot is “the good writer’s last resort and the dullard’s first choice.”

Ouch. Point taken. Time to just get on with telling the story. Sound advice (and just in time for NaNoWriMo!)

ARC Happy Fun Times

Because I’m clearly a masochist, I’ve also taken on ARCs from a small selection of awesome authors.

The Mirror's Truth by Michael R. Fletcher (FB header)

Michael R. Fletcher’s The Mirror’s Truth and John Gwynne’s Wrath are both currently adorning my Kindle, and I’m also lucky enough to have been offered an early copy of Red Sister from one of my favourite modern fantasy authors, Mark Lawrence. Positive reviews for this one have already begun trickling in, and I’m really, really excited to delve in to Mark’s new series, The Book of the Ancestor.

Malazan Art of the Fallen

You may have noticed my re-post of the Malazan article I had published on Tor.com in September. The re-post includes even more stunning art from the talented Chisomo Phiri (Shadaan on DeviantArt) and once again I’m encouraging anyone and everyone to go and check out his work.

'Silanah vs Raest': artwork by Shadaan

‘Silanah vs Raest’: artwork by Shadaan

On Righting

In October I ran two free promotions, most recently over Halloween. Danse Macabre now has another NINE (!) 4*/5* ratings and SIX (!) more reviews – as well as a place on its first ever LIST! (Angela Burkhead’s top Halloween reads for 2016).

Danse Macabre Free Promotion Graphic

Danse Macabre‘s success over the last few months has been a real confidence boost. Reading what folks are saying about it (including a recent review by Eric Fomley at Grimdark Alliance) inspires me to write more, which I think is part of the reason I worked so keenly on my short story submission last month. As such, I’ve made the (absolutely mad) decision to sign up for NaNoWriMo once again.

NaNoWriMo 2016 Participant Banner

In January this year I spoke about my ongoing struggles with depression; about why I closed down my original blog, and why I vowed not to bother with NaNo ever again.

After last year’s absolute failure (and its consequences) I’ll admit that the prospect of trying again terrifies me. But truth be told, I need a kick up the arse. This time, NaNo is going to be a tool with which I can hold myself accountable – not a means of quantifying failure.

So this year, I’m going to beat NaNo. Because I’ve made a promise to myself that this year I’m going to do it right. (Also that if I make it past 50k words by November 30th, I’m allowed to reward myself by finally starting a(nother) new game of Dragon Age: Inquisition.)

If anyone else is participating and wants to add me, you can find me here. Good luck to all, and see you on the other side!

Daniel Potter, ‘Off Leash’ (SPFBO review)


Off Leash was a semi-finalist in the 2nd annual Self-Published Fantasy Blog-Off. This review was originally published on Fantasy-Faction on 12th September 2016.


Off Leash by Daniel Potter
A few weeks ago, the SPFBO team decided on our seven semi-finalists. In some cases, the decision was easy. But when it came to Daniel Potter’s entry, Off Leash, we were uncertain as to whether or not it could hold its own in the next stage of the competition.

Why did we have doubts? Simply put: it’s an insane urban fantasy tale about a man who turns into a cougar, and we didn’t know what to make of it. Words like “strange” and “different” got thrown around very liberally during our group discussions. Off Leash is shamelessly, even proudly farcical, and I think we all had doubts about whether Potter was a serious SPFBO contender. We mistook the author’s light-hearted humour and sarcastic self-awareness for a lack of gravity – perhaps even of commitment – and we were absolutely wrong.

“Just great. I lose my voice but I get to keep my spare tire? Further proof that the universe itself is a sadistic bastard.”

It didn’t take long for our reservations to melt away. Potter’s jaunty prose and irreverent tone soon had us chuckling (and occasionally groaning) whilst turning the pages. Protagonist Thomas Khatt (geddit?) reacts to his improbable circumstances with dryly humorous observations, many of which involve his own newfound ineptitude at performing basic tasks.

“The stealth gig that cats are known for? We’ll file that under a learned skill and not a standard feature.”

The premise is batshit crazy. But its comedic potential is undeniable and Potter exploits it well, milking each scenario for every last drop of humour but very rarely taking any joke too far. It helps that Thomas, the protagonist, is quite cynical about the whole situation at first – mirroring our own scepticism, in fact!

“For a moment I feared I had fallen into a Disney film and the kitchen appliances were about to burst into song. I gave the toaster a withering look just in case.”

The narrator’s engaging voice brings to mind Ben Aaronovitch’s Peter Grant, while the ceaseless flow of droll observations is reminiscent of the style of Sir Terry Pratchett. Whether or not you’re familiar with either author, my point is that in Thomas Khatt, Daniel Potter has created a protagonist who is a *lot* of fun to hang out with.

“Dogs rolling on their backs might be submission, but for us cats, it’s more a statement of ‘I will fuck you up’.”

Big cat or not, like any good protagonist Thomas would never have survived his first day on four paws without the help of a few secondary characters. In this case it’s Rudy the pyromaniac squirrel, and an ostracised Irish witch named O’Meara.

No, really.

“Wide eyes stared down at me from a face framed with fire-red hair. Her blue eyes followed the theme, the color of burning gas on a cook top.”

As you can see: surrealism (and hilarity) aside, Off Leash is very competently written. With the exception of a few proofing issues, it is also well edited. The story is well-paced and intriguing, and the narrative voice is distinctive, engaging and consistently entertaining.

“[the house] seemed to be trying to convince the smaller house to scooch out of the way by threatening to sit on it.”

With its on-point descriptions and funny-bone-tickling turns of phrase, Off Leash is perhaps the most entertaining SPFBO entry we’ve read so far. Admittedly, we had gripes. A few of Potter’s action sequences hurtled by so quickly that we were left unsure as to what was going on. And the ending somehow didn’t feel quite as climactic as we’d anticipated – though that’s perhaps because we’d been spoiled by the book’s rollicking pace up until then. One of the only entries written in first person, Off Leash is bold and it stands out from the crowd; and overall it’s a highly enjoyable read.

Potter’s debut may be a slightly unorthodox entry in a competition dominated by writers of ‘traditional’ fantasy. But that doesn’t make it any less than 100% professional. The editing, the cover design, the formatting, the interior art, the extra short story included at the end – all combine to complement the story and produce an end product that any author would be proud of. In the end, the deciding factor was not the book but the potentially divisive responses from the other nine judges in the final round. While Off Leash was a very strong contender, we reluctantly agreed that, of the few entries still remaining, it was probably not the most likely candidate to win. On the upside, though, we also agreed that we’d definitely like to read more of the Freelance Familiars series in future.

The Verdict: Consistently entertaining, slightly silly, and all around light-hearted tongue-in-cheek fun…though not entirely devoid of grimness! We enjoyed Off Leash’s quirky and irreverent tone, and overall we laughed at its absurdity far more often than we rolled our eyes at it. The author’s prose is direct and engaging, and while we weren’t initially convinced by the premise, the book’s voice and sheer personality quickly won us over.

Hola, October!


Signed and Cactigraphed Books by Tom Lloyd, Elizabeth Bear, Scott Lynch and Joe Abercrombie

Guys – it’s October already! September flew by so quickly, probably because it was even more spiffing than August.

For starters, I attended my FIRST EVER SIGNING (!!!), a Gollancz event at my local Waterstones on which I wrote up an excitable little piece earlier this week. Basically I got giddy at meeting the Bear and co., and for the rest of the evening it was subliminal selfies (copyright: Steven Poore) and happy cactigraphs all round.

The entire evening reinforced my determination to join a traditionally-published (and fun!) team such as Gollancz

… a determination which was bolstered by yet another handful of amazingly kind reviews on Goodreads! I published Danse Macabre in October 2015, and the reviews it’s acquired over the last twelve months have been unanimously positive. As you might imagine, this has done wonders for my confidence in my own writing ability; self-publishing my first ever finished piece of fiction is perhaps one of the best decisions I’ve ever made.

Danse Macabre by Laura M Hughes

Speaking of self-publishing: the #SPFBO is nearing the end of its first round! Four of the ten participating blogs have announced their finalists, with more soon to follow.

Over on Fantasy-Faction we eliminated another two entries. I wrote a fond review of Off Leash by Daniel Potter, which you should definitely check out along with A.F.E. Smith’s fantastic review of A Song of Blood and Stone by L. Penelope.

Our remaining three semi-finalists are Dyrk Ashton (Paternus), Amy Rose Davis (Ravenmarked) and Aderyn Wood (The Raven). We’ve actually picked our finalist… but aren’t quite ready to announce them yet. 😉

SPFBO Semi-Finalists: Fantasy-Faction's remaining three

It isn’t just SPFBO stuff I’ve been covering for Fantasy-Faction. In last month’s round-up, I shared my excitement at receiving an ARC of Red Tide by one of my favourite modern fantasy authors, Marc Turner. The book was amazing (as if that was ever in doubt), and as well as reviewing it I also had the opportunity to interview Marc as well!

And that’s not all! Earlier in the month, Tor.com published an article I wrote about The Malazan Book of the Fallen.

My First Article for Tor.com

The article – which marks my first ever piece of paid AND solicited non-fiction writing! – is essentially a rundown of the major characters introduced in Gardens of the Moon, and seems to have received a very positive response on the whole. (Better yet, I have at least four more articles for Tor.com lined up over the next six months or so. Watch this space!)

The gorgeous illustrations in the GotM article are all provided by the talented Chisomo Phiri (aka. Shadaan). You should definitely check out his spectacular portfolio on DeviantArt!

'Blacksword Visits' - Malazan Art by Shadaan

artwork by Shadaan

In other news, I’m currently working on a short story, which I intend to submit to Ragnarok’s upcoming Hath No Fury anthology.  But more on that next month . . .

Happy October!

Ruth Nestvold, ‘Yseult’ (SPFBO review)


Yseult reached the semi-finals in the 2nd annual Self-Published Fantasy Blog-Off. This review was originally published on Fantasy-Faction on 31st August 2016.

***

A Tale of Love in the Age of King Arthur. A fitting subtitle, but in general one that is likely to discourage more readers than it attracts.

Romance in fantasy is a contentious issue. Lots of readers (myself included) are relatively indifferent to it, and neither seek it out nor avoid it. On the other hand, I’ve seen many an online discussion on the topic in which the majority of comments fall into two categories: ‘love it’ and ‘oh dear god MY EYES’. And this is a real shame, because it means that the latter will always miss out on well-written, beautiful stories such as Yseult.

Ruth Nestvold’s retelling of Tristan and Isolde is a solid adaptation that manages to capture the mischief and high spirits of Béroul’s original translation, as well as evoke a convincing sense of Arthurian Britain. From the humble roundhouses of Eriu to the dramatic promontory of Dyn Tagell, Yseult is rich in vivid settings that draw us in and anchor us firmly in the characters’ place and time.

Yseult by Ruth NestvoldNestvold’s writing has a charming quality, suffused with the quiet confidence of long familiarity with her characters and the world in which they play. The tone and style – along with the carefully-researched druidic, Celtic and Roman place names – sound authentic but not archaic; and while I did find myself a little bewildered at times (particularly at the start!) the wonderfully comprehensive glossary quickly cleared up any confusion.

Another aspect of Yseult which I admire is the skillful way the author maintains a cohesive timeline – without feeling the need to fill in all the gaps. The first section in particular is very well structured, cutting between important scenes with minimal disorientation; and the epistolary-style segments are a nice way of bridging the later chapters in a way that avoids repetition and unnecessary detail. On the whole, the pacing is similarly controlled, though some of us felt that it was perhaps a little *too* languorous in places. This, along with the occasionally ponderous prose, was the main issue cited by those of us who struggled to engage with Yseult. In fact, it was the only real sticking point on which we just could not seem to agree!

Speaking for myself, the issues I had with the book arose from what I perceived as unevenness. The entirety of part one – which is excellent, by the way – centres on the trials and inner strength of Yseult’s mother in addition to the childhood and adolescence of Yseult herself. So when the fabled romance finally began in part two I was somewhat taken aback by the way it was presented. It begins sweetly, and is interwoven with other events that keep the story rolling. But when our two protagonists finally get frisky, the frequent use of (for example) words like ‘ass’ and ‘cock’ when describing sex scenes felt jarring and not at all consistent with the subtle character development, beautiful Irish words and mellifluous descriptions to which I’d become accustomed.

Not only does it feel as though the sex scenes were written by a totally different author, the story itself seems less compelling the more it focuses on Drystan and Yseult. In fact, I almost abandoned the book at one point: despite thoroughly enjoying part one, I began to find the story tedious. Increasingly frequent repetition – particularly the author’s fixation with describing Yseult’s ‘moonlight’ hair and Drystan’s ‘forest-green’ eyes – started to really grate on my nerves. But it wasn’t until I reached the 44%-mark that I realised – with much disappointment – I just wasn’t enjoying Yseult enough to justify continuing with it.

Thankfully, I went back to it a few days later; and after a bit of perseverance I started to realise that Nestvold’s ‘tale of love’ encompasses far more than ‘just’ romance. Each and every character is motivated by different kinds of love, sometimes simultaneously and often conflicting. Yseult finds herself torn between her romantic love for Drystan and filial love for her mother, cousin and son. Marcus is motivated by self-love; Kurvenal, by platonic love for his best friend. Arthur is driven by love for his country, and everywhere deeds both good and evil are committed in the name of love and loyalty to one’s religion.

On the whole, Yseult is strongly reminiscent of Mary Stewart’s fantastic Arthurian Saga: a patient, introspective narrative that concerns itself mostly with magic, politics and belief. Nestvold takes the same murky time period, adds a familiar legend and then remoulds it with enough creative flourishes to make it feel fresh and original. The author develops her characters well (although antagonists such as Marcus and Andred are too-quickly painted as unsympathetic villains) and makes sure to give them and her readers a suitably poetic send-off at the last.

The Verdict: After reading a swathe of SPFBO entries that tended more towards the traditional/epic we found this historical fantasy to be a rather captivating change of pace. However, while we all agreed it was well written, not all of us found it engaging. We acknowledged that others’ opinions would likely differ as vastly as our own, which is why we’ve made the decision to eliminate Yseult in favour of others with the potential to appeal to a broader audience.

Salut, September!


September makes me happy for two reasons. Not only is it the month in which summer finally fucks off, but it’s also the month of my birthday! And its arrival calls for a quick recap of what I’ve been up to in August.


G.R. Matthews, Forbidden List (trilogy)

The wonderful G.R. Matthews (author of Silent City and The Forbidden List  trilogy) kicked things off with an interview at the start of the month. Matthews runs a ’10 Quick Questions’ series each week, featuring a range of awesome indie authors, and invited me to join him for rambles and randomness. You can read it here.

CEVAK

As promised in last month’s roundup I’ve finally made time to beta read my good friend and writing buddy Kareem Mahfouz‘s work-in-progress (and future bestseller). The big finale is shaping up to be Awesome (yes, capital ‘A’) – so Awesome, in fact, that I cobbled together another dodgy-looking graphic for one of my favourite characters.

In other news, the Self-Published Fantasy Blog-Off (SPFBO) is well underway, and I’m having a whale of a time discovering new indie voices along with my fellow judges: A.F.E. Smith, author of Darkhaven and Goldenfire (Harper Voyager); and the above-mentioned G.R. Matthews.

I recently wrote my first ‘elimination article‘ for Fantasy-Faction explaining why certain entries just didn’t make the cut, and also contributed to the subsequent post that announced our final seven. Even more recently we eliminated Terminus by Ryan Howse, shortly followed by Ruth Nestvold’s Yseult; and the final seven became a final five. We have until next month to pick our *drumroll* FINALIST, after which we’ll then read and rate the other nine that made it through. Exciting!

SPFBO - Fantasy-Faction's Final Five

In addition, I finished reading The Spider’s War by Daniel Abraham. Abraham is becoming a ‘go-to’ author for me: his work is consistently fun to read, with reliably solid characters and easy prose. I reviewed The Spider’s War on Fantasy-Faction, along with the rest of the Dagger and Coin quintet (which I highly recommend!).

Thiefbreaker-seven-lines-facebook

Once again my own writing progress has taken a hit. But on the plus side I’ve resolved to cut down on the amount of planning I do, and to not worry about writing things chronologically. (I like to call this the ‘patchwork quilt’ method.) I’m also giving myself the freedom to work on other things alongside my main WIP, which is a lot of fun. There are two other projects I’m currently messing with: a third-person, multiple PoV novella; and an experimental first-person piece which I may write as a serial. Both are set in secondary worlds; but while the novella will focus on the rising tension among a group of thieves who are being hunted, the serial is a humorous dialogue-driven travelogue/detective story.

And speaking of writing . . . At the beginning of August, a lovely lady named Bridget McGovern dropped me an email out of the blue. Much to my surprise and delight, she invited me to contribute an article to Tor.com – which should be appearing on the site sometime this month!

Just one more exciting thing before I go. One of my favourite modern fantasy authors, Marc Turner, sent me an advance review copy of his upcoming novel, Red Tide. Published on September 20th 2016, Red Tide is the third instalment of Turner’s epic fantasy series The Chronicles of the Exile. Not only will I be reading and reviewing this in time for its release date – I’ll also be interviewing Marc himself! Questions will cover a range of topics – from reading and writing to other (less relevant) things – and both the interview and the review of Red Tide should be up on Fantasy-Faction within the next few weeks.

So, September: d’you think you’ll live up to August’s levels of awesomeness? *rubs hands together*

Tweet - Red Tide ARC

Aloha, August!


I can’t say I’ve ever used the word ‘awhirl’ in casual conversation before – well, apart from just now – but I’ve spent the past month awhirl in Cool Book Stuff™. Such as . . .

Cool Book Stuff™ #1

I’m now officially a member of the Fantasy-Faction team!

Fantasy-Faction

I’ve followed the site – co-edited by Marc Aplin and Jennifer Ivins – for years, and have always admired the quality of its articles and the regularity of its reviews. I’m flattered and grateful, excited and proud beyond belief to be able to call myself part of the team. (I’ve got a PAGE and everything!)

Cool Book Stuff™ #1.1

And as if that wasn’t amazing enough, I now get to join in with the Self-Published Fantasy Blog Off (#SPFBO) for the first time. And as part of the F-F judging panel, no less!

SPFBO2 Banner by Matt Howerter

graphic by Matt Howerter

I’m a bit late to the party, but playing catch-up has been a lot of fun. I’ve read, scored and commented on the opening chapters of at least ten submissions, many of which have pleasantly surprised me. In fact, there’s more than one that I’ll probably go on to read even if it doesn’t make it through this round.


Cool Book Stuff™ #2

As you can probably guess, my own writing has taken a bit of a back seat whilst I focus not only on reading and reviewing, but also beta reading.

It’s been pretty much one year exactly since my first ever writing buddy (Kareem Mahfouz: notorious whiskey-sponge with the enviable power to pull entire storylines out of his arse as he writes) sent me the first prologue of the first draft of his first novel. Now – twelve months and 192,000 words later – I have the final part of his first draft to read and feed back on, which I’m REALLY looking forward to.

In fact, I got so excited by the story that I made a thing inspired by Kareem’s favourite character:

'Mouse'

Remember the name: Kareem Mahfouz. You heard about him here first, people!


Cool Book Stuff™ #3

Danse Macabre by Laura M HughesMy own word count may have ground to a temporary halt, but the reviews for my novelette, Danse Macabre, have been unexpectedly flooding in!

It’s a very small flood, I’ll grant you. But quality beats quantity every time.

Seasoned reviewer James McStravick shared his thoughts over on his blog, The Observant Raven; and the excellent T.O. Munro (author of Lady of the Helm) penned a particularly detailed and thoughtful review in which he called Danse Macabre “well-written”, “ingenious” and “captivating”.

To be honest, I’m still in shock. Awesome-shock.


Cool Book Stuff™ #4

Since my Kindle (Mr. Norrell) appears to have gorged himself on ALL THE THINGS over the last few months, I’ve compiled some of the best-looking indie books he’s found into a reading list:

Indie Reading List, August 2016Just look at those bad boys! Norrell’s definition of ‘new’ is somewhat questionable – I’ve had some of those books since the last SPFBO! – but still. Enticing, eh?

Right now I’m working through The Spider’s War by Daniel Abraham (which is great, by the way), but it shouldn’t be too long before I get around to this little beauty:

Valley of Embers by Steven KelliherThat’s an eARC of the upcoming Valley of Embers by indie author Steven Kelliher. The first in the Landkist saga, it’ll be available to buy on 16th August 2016 from Amazon.


That’s it (for now). July, I’m sorry to see you go. You’ve been a really positive month for me. August, you– oi! August! Listen! You have a lot to live up to, so you’d better start right now.

Oh! And for those who’re interested in the brilliant SPFBO, I urge you to take a few moments to check out the main page on Mark Lawrence’s site. Like, right now.